Junk Box Jury

Taken from the LP ‘Hank Marvin’ (Columbia SCX 6352) 1969

It was a source of considerable disappointment to all pop fans when, at the tail end of 1968, the Shadows decided to disband after more than ten years of stardom—during which they had reigned unchallenged as Britain’s top instrumental group.

But one could easily sympathise with their decision—for, having reached the pinnacle in their chosen field, further progress was virtually impossible.

This was clearly the time for the Shads, with a view to future security, to begin to pursue the solo activities best suited to their individual talents.

And if there is one consolation to be found in the break-up of this polished and versatile group, it is the emergence of Hank Marvin as an accomplished solo performer.

Hank Marvin | “Sacha” | Columbia

Hank had, for many years, been accepted as one of the most brilliant and distinctive lead guitarists in Britain—indeed, to a large extent, the Shadows sound was the Marvin sound! And in his new guise as a soloist, Hank’s artistry and sheer musical ability have found a far wider scope than ever before.

This album, with its contrasting moods and styles, is the ideal showcase for the many facets of his ability—his dexterity, creativity, sensitivity, and the incredible depth of sound that is the unmistakable hallmark of his playing.

Incidentally, Shadows fans will be interested to know that former group member Brian Bennett is featured on the majority of these tracks —either as drummer or musical director.

Hank has chosen wisely in his selection of material, blending familiar items with intriguing new compositions. The tunes that you will readily recognise include the show-stopping “Aquarius” from the tribal musical “Hair”; the Oscar-winning “Born Free”, which became a smash hit for Matt Monro; Herb Alpert’s million-selling speciality “This Guy’s in Love with You”.

Lera’s Theme from the film “Dr. Zhivago”, perhaps better known in its vocal form as “Somewhere My Love”; “The Big Country”, undoubtedly the most consistently popular item of instrumental music from a Western movie ever written.

The standard “Georgia”; and the haunting “Windmills of your Mind” which, in its enigmatic lyrical form, provided Noel Harrison with a huge success.

Hank Marvin | “Sacha” | Columbia

Yet, familiar though these melodies may be, the compelling originality of their interpretation enables us to enjoy them anew—almost as if for the first time.

Of the remaining tracks, Hank’s self-penned “Tokyo Guitar” spotlights his inherent flair for, and sympathy with, the blues; the colourful “Chameleon” and the smoothly flowing “Love and Occasional Rain” were written by Brian Bennett, two numbers that highlight the wizardry and technical perfection of master guitarist Hank.

“Sacha” has already been released as a Hank Marvin single, enjoying substantial sales; and “High Sierra”, as the title implies, savours of the wide open spaces and the great outdoors, in much the same vein as The Big Country.

It is, in my humble opinion, an impressive collection—because it deploys Hank Marvin’s considerable talent to the utmost, and holds the listener’s interest and attention throughout. (Derek Johnson)

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cost of record: £4
from: market stall